Download Art of Fighting mp3

Artist: Art of Fighting: mp3 download    Genre(s):  Other     Discography:      Along the Run    Year: 2004    Tracks: 4 Emphasizing a pop of relaxed melodies and complex structure is the stylemark sound of Sydney's Art of Fighting. Debuting in 1995 with the collaboration of Ollie Browne (guitar/vocals), Peggy Frew (bass/vocals) and Cameron Grant (drums), the band would pass the next three days gigging passim Southeastern Australia as a 3 piece. After conducive to the Au-Go-Go Records digest Wonder From A Quarter Acre, Half-A-Cow Records debuted their first class honours degree mini-album The Very Strange Year in 1998. Guitarist/ cornetist Miles Brown before long joined the Art of Fighting later the handout of their securities and Exchange Commission mini-album Empty Nights in 1999.

Download Suede

Artist: Suede: mp3 download    Genre(s):  Rock: Pop-Rock Pop ROck: Alternative Alternative Indie     Discography:      Singles    Year: 2003    Tracks: 21      A New Morning    Year: 2002    Tracks: 11      Head Music    Year: 1999    Tracks: 13      Sci-Fi Lullabies (CD 2)    Year: 1997    Tracks: 13      Sci-fi Lullabies (CD 1)    Year: 1997    Tracks: 14      Sci-Fi Lullabies (2 of 2)    Year: 1997    Tracks: 27      Coming Up    Year: 1996    Tracks: 10      Dog Man Star    Year: 1994    Tracks: 12      Suede    Year: 1993    Tracks: 11      Greatest Hits    Year:     Tracks: 16 Suede give up started the Britpop rotation of the '90s, delivery English indie pop/rock music away from the swirling layers of shoegazing and dance-pop fusions of Madchester, and reinstating such conventions of British pop as mystique and the three-minute single. Before the band had even released a individual, the U.K. weekly medicine press was proclaiming them as the "Best New Band in Britain," but Suede managed to work it their heavy hoopla imputable to the songwriting squad of singer Brett Anderson and guitar participant Bernard Butler. Equally divine by the glam crackle of David Bowie and the wild-eyed bedsitting room pop of the Smiths, Anderson and Butler highly-developed a sweeping, guitar-heavy sound that was darkly sensual, sexually ambiguous, melodic, and unabashedly ambitious. At the prison term of the release of their number 1 undivided, "The Drowners," in 1992, few of their coevals -- whether it was British shoegazers or American soil rockers -- had whatsoever ambitions to be old fashioned, self-consciously controversial pop stars and the British iron and populace fell hard for Suede, making their 1993 debut the fastest-selling number 1 album in U.K. history. Though they had rocketed to the top in the U.K., Suede were plagued with problems, the least of which was an inability to get themselves heard in America. Anderson and Butler's relationship became antagonistic during the recording of their second record album, Dog Man Star, and the guitar player left the isthmus in front its fall handout, which of essential spite its sales. Instead of breakage up, the band soldiered on, adding novel guitarist Richard Oakes and a keyboardist sooner returning in 1996 with Sexual climax Up, an album that returned them to the top of the British charts. Through and through all of Suede's incarnations, vocalist/lyricist Brett Anderson and bassist Mat Osman remained at the band's core. The son of a cab driver, Anderson formed the Smiths-inspired Geoff in 1985 with his class fellow Osman and drummer Danny Wilder. Anderson was the group's guitar player; Gareth Perry was the band's vocaliser. Geoff recorded iI demos before ripping up in 1986, as Anderson and Osman left to attend university in London. A few old age by and by, the partner off formed Suave & Elegant, which lasted only a few months. By the ending of 1989, the partner off had placed an advertizing in New Musical Express, asking for a "non-muso" guitarist. Bernard Butler responded, and the trinity began recording songs, primarily written by Anderson and Butler, with the financial backing of a drum machine. Taking the name Suede after Morrissey's "Suedehead" single, the ternion sent a demonstration tape, Particularly Suede, to compete in Demonstration Clash, a wireless show on GLR run by DJ Gary Crowley. "Wondrous Sometimes" won Demonstration Clash for five Sundays in a row during 1990, leading to a record shrink with the Brighton-based indie label RML. By the time the band gestural with RML, Anderson's girlfriend Justine Frischmann had united as a second guitarist. Suede placed an advert for a drummer, and former Smiths member Mike Joyce responded. Joyce appeared on the group's debut single for RML, "Be My God"/"Art." Scheduled to be released on a 12" in the precipitate of 1990, the single was scrapped shortly before its dismission, due a fight betwixt the band and the tag. Throughout 1991, the grouping rehearsed and recorded demos, finally adding drummer Simon Gilbert. Frischmann left wing Suede in early 1992 to manikin Elastica; she was non replaced. A few months later, Suede signed a two-single deal with the indie label Nude Records. Shortly afterward, the band appeared on the cover of Melody Maker, without having released any material. The weekly paper declared them the Best New Band in Britain. "The Drowners," the band's number one single, appeared shortly after the Melody Maker cover, and it became a moderate murder, debuting at number 49 due to strong reviews and word of back talk. "Metal Mickey," released in the precipitate, became their breakthrough murder, reaching identification number 17 on the U.K. charts afterward a indicatory, controversial performance on Whirligig of the Pops. Anderson shortly became infamous for causing tilt, and his ill-famed input that he was "a bisexual isle of Man wHO never had a homophile experience" was significative of how the group both courted controversy and a sexually ambiguous, estranged consultation. A short term of enlistment ahead the spring firing of their eponymous debut album was very successful, setting the stage for "Animal Nitrate" debuting at number seven. Shortly afterward, Suede leather entered the charts at number unitary, registering the biggest initial sales of a debut since Frankie Goes to Hollywood's Welcome to the Pleasuredome. By the summertime, Suede had become the most popular band in Britain -- winning the honored Mercury Music Prize for Best Album that precipitate -- and they attempted to make promontory into the United States. Their progress was halted when Butler's father died in the fall, forcing the cancellation of their second spell; they had already begun to be upstaged by their initiative move, the Cranberries, wHO received the support from MTV that Suede lacked. Shortly later on, the ring was forced to modification its identify to the London Suede in America, due to a wooing from an isolated wait area singer playing under the make Suede. Tensions had begun to develop betwixt Bernard Butler and the rest of the band during the group's 1993 tours, and they peaked when they re-entered the studio to record a new single in former 1993. Butler conceived the vocal "Stay Together" as a sweeping heroic partly in tribute to his father, and piece it was a success upon its February 1994 release, debuting at number trey, the transcription was non easy. As they were working on Suede's second record album, Anderson and Butler began to fighting often, with the guitarist claiming in a rare interview that the vocalist worked also tardily and that his partner was to a fault concerned with careen stardom, frequently at the expense of the music. Butler left wing the band toward the goal of the roger Huntington Sessions for the second album, and the radical finished the record with Anderson playing guitar. Bernard's departure launched a ado of guess around Suede's future, and Weenie Man Star didn't answer any of those questions. A hoity-toity, ambitious, and heavily orchestrated double album, Cad Man Star was greeted with enthusiastic reviews but hushed commercial response. As Suede were functional on their second album, their remarkable commercial succeeder was eclipsed by that of Blur and Oasis, whose igniter, more than accessible music brought the groups blockbuster succeeder in the wake up of Suede. Spell Weenie Man Star sold well-nigh as a lot as Suede, the picture in the press was the group was apace dropping aside, and the band didn't assist matters when they replaced Butler with Richard Oakes, a 17-year-old amateur guitar player, in September. Suede embarked on a foresighted, toilsome international turn during late 1994 and the spring of 1995, earlier disappearance to lick on their third album. During the meanwhile, Butler had a Top Ten individual with vocaliser David McAlmont, and Gilbert, the only gay extremity of Suede, was attacked in a hate criminal ence in the hang. At a fanclub fizgig in January of 1996, the radical debuted various new songs, as well as their new keyboardist, Neil Codling, the cousin of Gilbert. Suede returned as a five-piece in September of 1996 with Sexual climax Up. A igniter, band-oriented social function than either of the group's two previous albums, Coming Up was an unexpected extort up, entree the charts at bit peerless and generating a remarkable string of basketball team Top Ten hits -- "Shabu," "Beautiful Ones," "Sabbatum Night," "Slothful," and "Filmstar." Approach Up was a hit end-to-end Europe, Canada, and Asia, simply it wasn't released in the U.S. until the spring of 1997. Approach Up never did win an audience in America, partly because it appeared well-nigh a year after its initial handout and partially because Suede only supported it with a three-city enlistment. Nevertheless, the record was their well-nigh successful button to date, scene expectations high for the follow-up. Upon their reelect to the studio in the hang of 1998, the band distinct to ditch their longtime producer, Ed Buller, choosing to work with Steve Osborne, world Health Organization had antecedently produced New Order and Happy Mondays. The resulting album, Head Music, was released in May of 1999; an American release followed in June.

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Alghazanth

   
Artist: Alghazanth

   Genre(s): 
Metal
   Metal: Death,Black
   Rock: Sympho
   

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Discography:


   
 The Polarity Axiom

   Year: 2004   
Tracks: 8


   
 Typhon Unmasked

   Year: 2001   
Tracks: 9


   
 Osiris - Typhon Unmasked

   Year: 2001   
Tracks: 9


   
 Subliminal Antenora

   Year: 2000   
Tracks: 8


   
 Thy Aeons Envenomed Sanity

   Year: 1999   
Tracks: 9

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Faith and The Muse

   
Artist: Faith and The Muse

   Genre(s): 
Rock: Gothic
   

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Discography:


   
 Evidence Of Heaven

   Year: 2001   
Tracks: 14

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LiveDaily Interview: Tom DeLonge of Angels & Airwaves

Bra-less Pammie tells Baywatch secret

Pamela Anderson landed her role in Baywatch because she didn't wear a bra to her audition.

The 40-year-old beauty - who recently rekindled her relationship with ex-husband Tommy Lee - insists her breasts were the secret to her success on the hit US TV show.

She told Justin Lee Collins and Alan Carr while co-hosting UK talk show The Sunday Night project: "I didn't wear a bra to the audition. It's actually true. You had to have a swim test and I floated.

"You had to run in slow motion and swim in slow motion and then smile. I know how to work a defibrillator!"

Pamela also said she has kept the famous red swimsuit from the programme to wear in the bedroom.

She added: "I have one swimsuit left. I wear it. I use it for my boyfriend and stuff. In the shower and then I run in slow motion and then give my friends mouth to mouth resuscitation!

"I do miss it - it's the best job in the world."





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• Panettiere readies her debut album
• Putumayo World Music

Future Sound of London

   
Artist: Future Sound of London

   Genre(s): 
Electronic
   

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Discography:


   
 The Isness

   Year: 2002   
Tracks: 13


   
 Papua New Guinea Translations

   Year: 2001   
Tracks: 8


   
 My Kingdom (Single)

   Year: 1996   
Tracks: 5


   
 Dead Cities

   Year: 1996   
Tracks: 13


   
 Cascade (Single)

   Year: 1993   
Tracks: 6


   
 Accelerator

   Year: 1992   
Tracks: 13

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First recognized as the dance yoke behindhand the club hits "Stakker" (as Humanoid) and "Papua New Guinea," Future Sound of London afterwards became unrivalled of the near acclaimed and respected international data-based ambient groups, incorporating elements of techno, classical, jazz, rap, electro, industrial, and dub into expansive, sample-heavy tracks, ofttimes fine produced and usually without easy precursor.


Notoriously puzzling and often disdainful of the press, the group's Garry Cobain and Brian Dougans worked their future-is-now aesthetic into a diverseness of different w. C. Fields, including film and video recording, 2- and 3D calculator art and vitality, the Internet, wireless broadcast, and, of course, recorded music. Although they normally patronage their in the beginning work as play-for-pay club fare non illustration of their later musical vision, many of the thematic concerns of their sooner 12"s and their outset, heavily dance-oriented LP, Throttle valve, followed them into their by and by work. Usually filed under ambient, that work is oftentimes a great deal more than that, drafting from the history of data-based electronic music with a relentlessness that has helped to push the calmer elements of that genre's report into by all odds more than difficult directions.


The geminate also grew in reputation as remixers, obliterating tracks by Curve, Jon Anderson, David Sylvian and Robert Fripp, and Apollo 440, and rebuilding pieces of about purple complexity with the remnants. The duo's whole shebang of the mid to late '90s -- Lifeforms, ISDN, and Dead Cities -- were important stopping points on the road of fanatic hybridizing characteristic of post-rave European experimental electronica (ambient, jungle, trip-hop, ambient dub, etc.), and the pair's pretty punk stone attitude (despite their success) did much to underline the scene's underground roots. After a drawn-out hiatus marked by rumors of mental illness and a bungalow life-style, Cobain and Dougans returned in 2002 with The Isness, a record hard influenced by '60s and '70s psychedelia.





Rainbow Serpent and Friends

Graziano to Hogan -- You Screwed the Marines!

Frank Graziano, John Grazianio's older brother, had a few choice words of his own for the Bollea family today.

Frank was a guest on "The Schnitt Show" radio program in Tampa, Fla. -- railing against Nick, Hulk and the whole Hogan family. As you can imagine, he's not pleased.



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• Angelina Jolie - Jolie Owns Tomb Raider Guns For Protection
• Lane Turner
• BBC announces Grange Hill will end
• Charlize Theron’s home is broken into