Faith and The Muse

   
Artist: Faith and The Muse

   Genre(s): 
Rock: Gothic
   

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Discography:


   
 Evidence Of Heaven

   Year: 2001   
Tracks: 14

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LiveDaily Interview: Tom DeLonge of Angels & Airwaves

Bra-less Pammie tells Baywatch secret

Pamela Anderson landed her role in Baywatch because she didn't wear a bra to her audition.

The 40-year-old beauty - who recently rekindled her relationship with ex-husband Tommy Lee - insists her breasts were the secret to her success on the hit US TV show.

She told Justin Lee Collins and Alan Carr while co-hosting UK talk show The Sunday Night project: "I didn't wear a bra to the audition. It's actually true. You had to have a swim test and I floated.

"You had to run in slow motion and swim in slow motion and then smile. I know how to work a defibrillator!"

Pamela also said she has kept the famous red swimsuit from the programme to wear in the bedroom.

She added: "I have one swimsuit left. I wear it. I use it for my boyfriend and stuff. In the shower and then I run in slow motion and then give my friends mouth to mouth resuscitation!

"I do miss it - it's the best job in the world."





See Also

• Over The Rhine
• Hotline: Weezer enlists Web celebs in new video
• Panettiere readies her debut album
• Putumayo World Music

Future Sound of London

   
Artist: Future Sound of London

   Genre(s): 
Electronic
   

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Discography:


   
 The Isness

   Year: 2002   
Tracks: 13


   
 Papua New Guinea Translations

   Year: 2001   
Tracks: 8


   
 My Kingdom (Single)

   Year: 1996   
Tracks: 5


   
 Dead Cities

   Year: 1996   
Tracks: 13


   
 Cascade (Single)

   Year: 1993   
Tracks: 6


   
 Accelerator

   Year: 1992   
Tracks: 13

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First recognized as the dance yoke behindhand the club hits "Stakker" (as Humanoid) and "Papua New Guinea," Future Sound of London afterwards became unrivalled of the near acclaimed and respected international data-based ambient groups, incorporating elements of techno, classical, jazz, rap, electro, industrial, and dub into expansive, sample-heavy tracks, ofttimes fine produced and usually without easy precursor.


Notoriously puzzling and often disdainful of the press, the group's Garry Cobain and Brian Dougans worked their future-is-now aesthetic into a diverseness of different w. C. Fields, including film and video recording, 2- and 3D calculator art and vitality, the Internet, wireless broadcast, and, of course, recorded music. Although they normally patronage their in the beginning work as play-for-pay club fare non illustration of their later musical vision, many of the thematic concerns of their sooner 12"s and their outset, heavily dance-oriented LP, Throttle valve, followed them into their by and by work. Usually filed under ambient, that work is oftentimes a great deal more than that, drafting from the history of data-based electronic music with a relentlessness that has helped to push the calmer elements of that genre's report into by all odds more than difficult directions.


The geminate also grew in reputation as remixers, obliterating tracks by Curve, Jon Anderson, David Sylvian and Robert Fripp, and Apollo 440, and rebuilding pieces of about purple complexity with the remnants. The duo's whole shebang of the mid to late '90s -- Lifeforms, ISDN, and Dead Cities -- were important stopping points on the road of fanatic hybridizing characteristic of post-rave European experimental electronica (ambient, jungle, trip-hop, ambient dub, etc.), and the pair's pretty punk stone attitude (despite their success) did much to underline the scene's underground roots. After a drawn-out hiatus marked by rumors of mental illness and a bungalow life-style, Cobain and Dougans returned in 2002 with The Isness, a record hard influenced by '60s and '70s psychedelia.





Rainbow Serpent and Friends

Graziano to Hogan -- You Screwed the Marines!

Frank Graziano, John Grazianio's older brother, had a few choice words of his own for the Bollea family today.

Frank was a guest on "The Schnitt Show" radio program in Tampa, Fla. -- railing against Nick, Hulk and the whole Hogan family. As you can imagine, he's not pleased.



See Also

• Angelina Jolie - Jolie Owns Tomb Raider Guns For Protection
• Lane Turner
• BBC announces Grange Hill will end
• Charlize Theron’s home is broken into

Glastonbury retains registration system

Music lovers hoping for a ticket to this year's Glastonbury Festival will have to register their interest next month, organiser Michael Eavis has confirmed.
As part of the battle against touts, anyone wanting a ticket to the world's biggest music and performing arts festival must register by the end of February.
Eavis said: "I want to keep up the momentum we gathered last year by stopping ticket touting altogether.
"Thank you for being so supportive of our registration process, which is, after all, quite tedious. I appreciate it so much."
The 2008 registration process is similar to last year's system, which involved supplying contact details and a standard passport photo.
Everyone, including children aged 13 and over, who wants to buy tickets will need to register first to be eligible to go through the sales procedure on 6 April.
Music lovers can either sign up online - via www.glastonburyfestivals.co.uk - or by completing a registration form which is available from any branch of camping store chain Millets.
Glastonbury Festival 2008 takes place at Worthy Farm in Somerset, England over the weekend of 27-29 June.

Carly Simon stays silent about who was so vain

Carly Simon stays silent about who was so vain

Fresh York (Reuters) - Now that the identity element of "Trench Throat", the mystery rootage in the Watergate scandal showcase, has been revealed, there is very only i lingering mystery from the seventies.


World Health Organization was ballad maker Carly Simon vocalizing around in her 1973 song "You're So Vain"?


"I get told people," Simon, wHO has just now released a fresh album "This Kind of Love," said in an interview.


She may have told a few friends, merely millions of people still conjecture about the someone world Health Organization "walked into the party like you were walk onto a racing yacht."


The piece whose sawhorse won at Saratoga, and world Health Organization flew a Lear jet up to Nova Scotia to go through the total eclipse of the sun.


Simon's fans want to know if it was Mickey Michael Philip Jagger, Warren Beatty, Cat Stevens, Kris Kristofferson, or perhaps another man she was close to.


Simon, 62, said she has never been interviewed without existence asked to name the whodunit individual with the big self-importance.


"Everyone always asks me. I don't know why people are so interested," she said. "Tell me, you must know." 





Nick Warren

JAMES MCMURTRY

JAMES MCMURTRY

Just Us Kids (Lightning Retinal rod): B-

Nothing on McMurtry’s freshly CD touches the cogency and index of his 2005 objection song “We Can’t Make It Here.” The statute title track spans 50 sad years in settlement life, only like a lot of others, the call is long on aspiration and short on discipline. “Cheney’s Toy” seems a strong political bombast, yet world Health Organization is it around? George W. Bush? A soldier? The dead? Tale vocabulary bathroom change for no good reason. At his topper, McMurtry’s political sympathies privy be a restorative: “Divinity Bless America” and “Ruins of the Realm” get peck of fine, angry bite. Just his voice is express, and his dead end characters just race from doomed to stoned to dead. Body fluid, free grace or light is never evident on this long, wordy tramp pull down a depressing, turd road. Download: “Ruins of the Region. ” (Appearance tonight at Reb D’s, Somerville.)







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